In Sao Paulo and other Brasilian cities, the audience had the opportunity to explore Russian culture through captivating performances at Sergey Obraztsov Puppet Theatre. The two unique performances were, “The Snowman” and “The Thread Circus”. The productions and mono-performances were crafted by winners of The Golden Mask National Theatre Award.
The renowned theatre company, celebrated for its artistic puppet shows, introduced Russian heritage to Brasil with its astounding performances. This tour marked a significant cultural exchange between Russia and Brasil. Both the productions showcased the versatility and depth of puppet theatre.
“The Showman” is a heartwarming and whimsical tale that enchanted the audience with its charming storyline and intricate puppetry. The production, known for its delicate craftmanship and imaginative narrative, transported viewers into a magical winter wonderland, portraying the rich tradition of Russian puppetry.
Similarly, the puppet show, “The Thread Circus” by the theatre’s chief artist Viktor Antonov, offered an incredible experience with its innovative use of puppets and threads, creating a visually stunning and emotionally engaging performance that highlighted the artistry and creativity of the theatre.
Boris Konstantinov, Principal director of the Central State Academic Puppet Theatre named after Sergey Obraztsov, explained that the tour not only introduces Brasilian audience to the nuances of Russian theatre but also strengthens cultural ties between the two countries. “This tour is more than just a series of performances; it is a bridge connecting our cultures. Through our shows, we aim to share the beauty and depth of Russian puppetry with Brazilian spectators,” he said.
Furthermore, Boris emphasized how Brasilian spectators are grateful and don’t renounce from expressing their emotions. He added, “To say that the reception was warm is to say nothing. Hugs, applause, and the desire to touch the mystery – this flow of love accompanied us in every city. If ‘The Snowman’ causes tears of empathy with its touching story (and the performance is based on a fairy tale by Andersen, the saddest and most sentimental storyteller of all times and peoples), then everyone cried and rejoiced: children, adults, men, and women. If an artist suddenly said a phrase in Portuguese, it caused such a sigh of delight that you had to pause to continue the performance,”.
Boris pointed out that “The Snowman” particularly highlights the identity of “winter” countries. This production captures the elements of winter life in colder climates, including children building snowmen, going sledding, and adults using stives to keep warm.
These customs are deeply ingrained in regions where winter is a prominent and cherished season. Through a feature of these elements, the show offers a taste of Russian life that feels authentic and relatable even those outside its frosty borders. In conclusion, The Sergey Obraztsov Puppet Theatre was a resounding success, highlighting the importance of cultural exchange to enrich and empower. Brasilian spectators experienced a meaningful connection with Russia’s rich cultural heritage.
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